Much
of his article is my own research and is also reflected in Gary Hasting's Book
'With fife and drum', That great book has also helped fill in many many gaps in
my own information. Many thanks to Gary and to the lambeggers & drum makers
who have spoken with me.
So, what's all this craic about Lambeg skins, a goat's a goat
innit?
I thought
this once, a few years back, but a Lambeg skin is a different beast entirely. Read about the Lambeg
drum.
Most
natural drum skins, usually goat, undergo a fairly standard process. The flesh
is removed from the inside of the rawhide and the hair is removed.
The hair
can be removed naturally by shaving or can be removed chemically by the use of
lime or other product. Chemical treatment is not recommended for any drum as the
chemicals can strip the skin of its natural elements and affect its
performance.
The Lambeg skin is
different because the makers use an undisclosed recipe that not only depiles the
skin but also imparts it with particular qualities. When the skin has been
removed, it is then stretched out on a board. In the nice image above right, you
can see where the pins pulled at the skin. The straight white line is a meter
ruler to give an idea of scale.
When it
is on the board it is scraped with a blade that removes all but the extreme
upper layers of skin. This is called fining down and makes the skins incredibly
thin. The image to the left is a closeup of a lambeg skin side-on, the
graduations on the ruler are milimetres. I'd estimate this one at 0.2mm. That's
thin. In the image below the FDG
CDs are underneath the skin .
In the
making of many drums, the skin receives further treatment. It could be a form of
curing or tanning. Usually it involves the application of some home made product
called a recipe. The process is called doping the skins. There are many theories
as to what is in the doping recipe, Gary Hastings mentions 'alum' (see note) and I have heard of several other names. I'm loth to
share them here because I can't vouch for their veracity and I'd hate to be
responsible for ruined goatskins.
But
basically a Lambeg skin is a skin fined down to the nth degree and has received
particular forms of treatment which permit it, whilst being supremely thin, to
be extremely strong; there's reckoned to be a ton of pressure at the centre of a
tensioned Lambeg. It is this thinness which, in the case of low-tensioned drums,
provides the supreme flex that is so sought after by bodhrán players. Because of
its thinness I also find it super-articulate on any high tensioned finger frame
drums. Read here
about re-skinning a bendir using a Lambeg skin
I'm
sorry that I can't share my knowledge of the bodhrán makers' skin flex recipes
here or privately, it's a commercial edge for them although there are recipe
variations between makers. I hope this is a useful explanation in any
case.
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Updated information on Alum by Mii
"Hi! I just read your
article on Bodojo about lambeg skins. In the article you mention "alum" and
continue with "whatever that is". Alum is one of the oldest and best known
industrial chemicals. By "alum" we usually mean potash alum, although there are
other types of alum too. Potash alum is a water-soluble sulfate mineral and was
probably first found in the water-soluble fraction of wood ashes, hence the
name. It also occurs naturally as encrustations on rocks in some parts of the
world. Potash alum has been used in leather tanning and glass and soap making
since times began.
For more info, check out the Mineral Data and Wikipedia articles:
"
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