That
squishy bit of dough is all that remains of half a sheep skin. I've
read that an old mangle is ideal for squeezing at this stage, but
I just wrung it out like a towel. Next time I might build a mangle,
or maybe I can find me a beauty such as the one in the picture below

Here's a mangle and a washing machine.
Either of which would have been found at the rear of many houses.
The mangle was still used by some families well into the 1950's.
My guess if you're looking to buy one is to go hunting in long time
established laundries, chances are they have still one standing
around from the olden days. You'll also stand a better chance of
finding a "wider" version of it than the ones that where
used in private homes
Preparing
and skinning the Shell:
This is the frame I'll use, a piece of hollow-ridge reinforced PVC
pipe. I can't tell you much about it; the pipe was donated by one
of the people at the college for which I work. I've seen other,
smaller but similar pipes being used by the local cable company,
so I guess it's for large bundles of signal cable. 
The
stiff-backed tenon saw is best for this job, cutting shallowly around
the pipe three or four times, until it cuts through. If you try
to saw immediately through from one side to the other, the saw will
always
deviate from the line. If you don't believe me, try it on any pipe.
After a previous 'learning experience' (mistake) I decided to make
the thinner part of the pipe act as the bearing edge, so this drum
shouldn't buzz
The edge itself was tidied with a wood rasp,
flattened by rubbing on a paving slab (I sprinkled some sharp sand
on it as a smoothing paste) and polished with a half-round metalwork
file. It's a good idea to rub a piece of chalk on the file first,
to help stop it clogging up.
Here
is the dough-like skin, flopped over the frame, pictured with a
length of nylon washing line. This stuff slips well and is practically
indestructible, so it's ideal for this job
I pulled the skin over two of the pipe's ridges, because of an idea
I had about tuning the drum, (getting back to this later on) then
tied it off with the washing line and hung it in the fireplace to
dry.
Skin
Works
At
this point I was feeling really good about the whole process, hand
injuries aside. I decided that this drum deserved a bit of special
treatment, so I lit some incense under it
(besides, it was still a bit sheepish smelling, if you know what
I mean <Grin>).
Looks all romantic, doesn't it?
Well,
the romance faded a bit, when the skin started doing something I
wasn't expecting. Instead of drying out gradually, parts of it were
changing very suddenly from 'wet dough' to thin, hard rawhide.
This
caused me to worry that the skin might split because of the differences
in tension, that the puckers and wrinkles might be permanent and
that the bits which hadn't dried out might rot.
So I arranged a bit more smoke, still nicely incense-laden, but
that didn't seem to be helping. Also my Wife wasn't too happy about
this new method of ridding the skin and house of unwanted pests.
The dog didn't seem to mind though.
The
Smoking Rigs
With
my increasing fear of rotting skin driving me to new inventions,
this smoking rig was born.
This seemed to recapture a bit of the romance (and the sheep smell
was
gradually
giving way to something more like Polish sausages) so I began to
feel a bit happier again...
It
seemed a shame to waste all that smoke, so I enclosed it and used
it to treat another sheep skin as well:=
The
fire smouldered for four days and nights, leaving the drum looking
a bit worse for wear, but much less likely to harbour evil germs.
This is when I started thinking that mangling out some of the water
first would have been a good idea. Also, the washing line was trapping
moisture in the fold of skin, so I replaced it with cotton 'pudding
string' from the kitchen.
There
were still a few soft areas, so it was time for the fireplace again,
moistening the driest parts while the rest caught up. By spraying
the face and inside of the drum, while drying the rim, the wrinkled
surface evened out nicely. Then each time it dried out, I used sandpaper
to clean the skin and take down any high spots by smoothing the
inside.
By
this time, those of you who already understand this process are
probably laughing yourselves sick at my ham-fisted attempts to learn
this fine art, while those of you who don't have almost certainly
been put off the idea for life.
This, however, is where things started to calm down a little.
The result so far looked like this...
Finishing
the drum
Having
got the skin evenly dry and smooth all over, it was time to start
tidying it up, starting by trimming the edge
This
is the basis of the cunning tuning thing I mentioned earlier, three
large jubilee clips (hose clamps) connected together. The idea behind
it is that the clip is positioned in-between the pipes ridges, that
way by tensioning or loosening the clip one can tune the skin tension
to the sound one is aiming for (I hope !)



And
here it is, with the metal band padded by two strips of thick leather,
to stop it cutting into the skin and a 7mm socket driver as a tuning
key. I've heard all sorts of ideas about applying oils to drum skins
to improve flexibility. This isn't something I've tried yet, so
I'll leave that up to the drum's new owner (OK, I confess
I'm scared of ruining it!)
The
last thing to be done to this drum, then (by me, at least) was to
give it a decorative cover for the rather ugly edge of the skin.
Favourite
toys


Finally,
it would be rude to send a drum to a new home without some accessories,
so I got busy with two of my favourite toys - the lathe and the
sewing machine
The tipper is turned from Oak and the carry case is made from upholstery
fabric and curtain lining and I'll add a handle before it goes in
the post towards its new home.
Last
Thoughts
I'm
still a bit nervous about this drum's future and have to admit that
it still smells rather odd, but I'm sure that it will be thoroughly
beaten and tested by John and I look forward to hearing of its progress
(or failure !) so that I can learn more
It's
been an interesting experience, which I fully intend to repeat soon
(plenty of salted hides left), hopefully with better results. I
wouldn't recommend it for the faint-hearted.
Professional drum makers (and butchers) definitely work for their
money.
Be prepared to pay them well!
I
made a new drum
A sheep provided the skin
I hope it plays well
John : Anyone with experience at this art
of curing hides into Drumskins and able to give Tony pointers to
way's to do this better, easier, in fact anything you may be able
to share with him on this subject please drop him a line (in private
or not) or maybe write your own article and post it to the Builder
shed in the File section of BodhranDojo Yahoo. I'm sure a lot of
the members will thank you for it